Spanish Baroque Era Painter, ca.1617-1682 Spanish religious and portrait painter. He was born in Seville, where most of his life was spent. There, c.1645, he painted a series of 11 pictures of the history of the Franciscan order for a monastery. These brought him immediate fame, and for the remainder of his life he was the favorite painter of the wealthy and pious Andalusian capital. His early works show the influence of Zurbarn in the dramatic use of light and shadow. Murillo adapted several compositions from northern and Italian prints. Notable works of his early years include St. Leander, St. Isidore, Vision of St. Anthony (all: cathedral, Seville), Birth of the Virgin (Louvre), and his series for the Church of Santa Maria la Blanca. In 1660 he was instrumental in founding the Seville Academy, of which he shared the presidency with the younger Francisco de Herrera. From 1670 to 1682, Murillo painted many of his major religious works, including those for the Charity Hospital and for the Capuchin convent (Seville Mus.). These religious works, particularly the Madonnas, are noted for their sweetness of mood. In 1682, while working on the Marriage of St. Catherine for the Capuchin church of Cediz, Murillo fell from a scaffold and died as a result of his injuries. Murillo's greatest works include his fine portraits, Don Andres de Andrade y la Col (Metropolitan Mus.) and Knight of the Collar (Prado) and his naturalistic genre paintings, such as Girl and Her Duenna (National Gall., Washington, D.C.) and Peasant Boy (National Gall., London).   Related Paintings of MURILLO, Bartolome Esteban :. | The Infant Jesus Distributing Bread to Pilgrims (detail) dg | Immaculate Conception sg | The Holy Family g | Immaculate Conception sg | Boys Eating Fruit (Grape and Melon Eaters) sg |
Related Artists:
Hendrick van Somer
Hendrick van Someren, or Somer (1615, Amsterdam - 1685, Amsterdam), was a Dutch Golden Age painter. According to Houbraken he was the son of the "van Zomeren" who took in the young Adriaen Brouwer after he fled Frans Hals' workshop to try his luck in Amsterdam. Houbraken claimed Henrik van Someren was a good painter of historical allegories, landscapes, and flower still lifes. According to the RKD no works survive in the styles Houbraken mentioned, only "hermits" in the style of Ribera. He was the son of the painter Barend van Someren and the grandson of Aert Mijtens. He was the pupil of Jusepe de Ribera and at least one of his works had a forged signature of Ribera.He is possibly the same painter sometimes referred to as Enrico Fiammingo.
School of Provence
after 1450
PALAGI, Pelagio
1775-1860 Italian painter, architect, designer and collector. At the age of 12 he began to frequent the house in Bologna of his patron Conte Carlo Filippo Aldrovandi Marescotti (1763-1823), whose collections and library provided his early artistic education and engendered his taste for collecting. From 1795 he worked on several decorative schemes with the theatre designer and decorator Antonio Basoli (1774-1848), and it was perhaps in theatre designs that Palagi was first exposed to an eclectic range of motifs from exotic cultures. He was influenced by the linear, mannered style of Felice Giani, with whom he frequented the important evening drawing sessions at the house of the engraver Francesco Rosaspina (1762-1841). Beginning in 1802, he participated in the informal Accademia della Pace, Bologna, as well as studying at the Accademia Clementina, and was elected to the Accademia Nazionale di Belle Arti of Bologna in 1803. Soon his draughtsmanship took on a bizarre, brooding style akin to that of Piranesi and such early Romantics as Luigi Sabatelli and Henry Fuseli. During this period he began designing funerary monuments, a type of commission that he continued to receive throughout his life. In 1805 he worked with Giani on the decorations of the Palazzo Aldini, Bologna.